DigiTech RP2000 Betriebsanweisung PDF herunterladen (Seite 19)

Harmony

The Harmony module functions much the same as a Pitch Shifter except that a Pitch Shifter stays parallel

to your note at the specified interval, and the Harmony module knows which notes to make sharp or flat

in order to keep the shifted pitches within the specified key and scale.The Harmony module lets you select

the key, scale and amount of shifting in the signal and all shifted notes will remain diatonically correct.

The Amount Parameter selects the Harmony interval.The Harmony interval choices include:

octdn (octave down), 7thdn (a seventh below), 6thdn (a sixth below), 5thdn (a fifth

below), 4thdn (a fourth below), 3rddn (a third below), 2nddn (a second below), 2ndup (a

second above), 3rdup (a third above), 4thup (a fourth above), 5thup (a fifth above),

6thup (a sixth above), 7thup (a seventh above), and octup (an octave above).

This Parameter is used to select the reference scale the Harmony module will use.There are

10 Scale choices including: Major (Major), Minor (Minor), Dorian (Dorian), mixlyd

(Mixolydian), lydian (Lydian), harmin (Harmonic Minor), blues (Blues), majpnt (Major

Pentatonic), minpnt (Minor Pentatonic), and wholet (Whole Tone).The Scale Parameter is

only available with the Harmony selection.

The Key Parameter is used to select the root key of the scale that will be used in the

Harmony processor.There are 12 possible choices for the Key ranging from C to Bb.The Key

Parameter is only available with the Harmony selection.

The Level Parameter adjusts the volume of the shifted pitch for the Pitch Shifter, Detuner,Whammy™, and

Harmony effects. It is not available for the Wah effect.

This Parameter selects whether the effects in Wah/Pitch column will be placed Pre: in the signal path

before the amp modeling (as if you were connecting stomp boxes in between your guitar and amp), or

Post: placed after the amp modeling (as if they were in the effects loop of an amplifier).

Amp Modeling

Amp Modeling is a new technology which applies the tone of different amp types to your guitar signal.The

RP2000 has 10 extremely flexible Amp Models, and 2 Acoustic Guitar Models.These Models are capable of

producing emulations of several popular modern and vintage amps, from the smoothest of the blues tones

to the full shred gain of a cranked up stack.The Model module also has 2 acoustic guitar simulations.The

Modeling section includes two channels (Red and Green). Separate Models, Gain, EQ, and Level settings

can be assigned to each Channel.You can then toggle between Amp Channels using the number 2 (Amp

Channel) footswitch in FX Mode.

This Parameter is used to select one of the two Amp Channels for editing.The Red and Green Channels

are both fully programmable with Amp Type, Gain, Levels, and EQ. One Channel can be used for a clean

sound and the other can be used for a distorted sound. Switching channels occurs instantly giving you

more flexibility during performances.The color of the LED above the Channel footswitch and the Amp

Model LED in the Matrix will change to reflect the active Channel.

This Parameter selects the Amp Model, or Acoustic Model you wish to emulate.The choices include:

Marshall® is a registered trademark of Marshall Amplification Plc. Vox® is a registered trademark of Korg UK. Fender, Matchless, and Mesa

Boogie, are trademarks of their respective companies and are in no way associated with DigiTech.

blkfac (based on a ‘65 Fender Twin Reverb)

BoutiQ (based on a Matchless DC30)

rectif (based on a Mesa Dual Rectifier)

Hotrod (based on a Mesa Boogie Mark II C)

Tweed (based on a ‘57 Fender Tweed Deluxe)

Clas A (based on a Vox AC30 top boost)

brtstk (based on a Marshall JCM900)

clntub (a clean combo setting)

crunch (a nice crunchy combo)

higain (a smooth singing lead tone)

acous1 (a flat top acoustic guitar)

acous2 (a piezo acoustic guitar)

direct (straight guitar with no modeling)

Page 15

Section Three - Effects and Parameters

RP2000 User’s Guide

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